In my work, I am attempting to capture the essence of human movement (gesture) through minimal, abstract forms. While always interested in the human figure, I was inspired by a summer trip to Italy where I studied and sketched sculptures of the High Renaissance and Baroque period. I was particularly moved by the sculptures of Giambologna and Bernini. I was drawn to the tension created by their sculptural groups and the curves of the human figure.While my first explorations of the human figure were realistic, I have chosen a more abstract and minimal approach in order to focus the viewers attention on the human gestures presented. Besides concentrating on the form of a single figure, I am challenged by relating figures to one another. When I am in the glass studio, I am trying to create very specific forms, while expecting a more ambiguous reaction from the viewer. I welcome different interpretations of these sculptures by the viewers. I have begun more and more to view my work as being removed from the human figure and directed towards representations of pure form, movement, and gesture. MORE
